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Door 113 103 C-Pillar 117 123 Tailgate 105 Roof 127 Average paint

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or the Aero Edition accessories package for all variants.The X-Tremer package comprises a two-tone paint

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paint touch up hamilton Post Review

Anyone else dreaming of Cottage Season? Give us a call if your Northern escape needs a touch up come Summer! #AbsoluteHomeServices #HomeImprovement #CottageSeason #Cottage #Muskoka #Summer #Burlington #Burlont #Hamilton #Hamont #Milton #Oakville #HomeDesign #Paint

Good luck #Hamilton & #rosberg #F1 Spain Try: touch up paint pens

Final cleanings and touch up paint in the basement and lobby at the Hamilton-Holly House, 4 St Mark Place!

We enjoy the free #99 @hsr service!A quick trip from Jackson Square to the Hamilton waterfront on a nice summer day.Now that HSR is improving with service upgrades.... Some TLC pretty please on #99; some touch up paint, fixing minor damage & refreshing destination signage?

#Hamilton #Deal $19 for 2 Genicolor Car Paint Touch Up Paints - Available for Colours Going Back 50 Years! http://dlvr.it/1fSsfb

@harrytuballs having way too much fun with his touch up paint @ Casa Di Hamilton http://instagram.com/p/X-V91DnQ4M/

Mitsubishi Montero Automotive Touch-Up Paint Pen – Hamilton Silver Metallic A71 – Essential Package: Mitsubish... http://bit.ly/O7y7UX

paint touch up hamilton Q&A Review

How much did your landlord keep from your deposit most and why?

Our last landlord kept $25 to repaint. It covered the price of paint and having someone touch up a few spots where my recently dyed hair rubbed off onto the wall above our bed. I did try to clean it as best I could, and I was fully prepared to pay for it as it was my fault. The one before that said we were getting the full deposit back, however the manager turned out to be a meth addict and ran off with everyone's deposit when she skipped town. $700 loss their.

Are James Harden and Russell Westbrook the most talented backcourt of all time?

No James Harden and Russell Westbrook are not the most talented or accomplished guard duo or backcourt teammates of all-time in NBA history. Sharing the top 25 rated starting from 25 to 1. Number 1 should not surprise you if you have been following NBA basketball for the last 5–10 years. The 25 Greatest NBA Backcourts of All-Time 25. Kyle Lowry & DeMar DeRozan — Toronto Raptors (Before they broke up) The trade that brought disgruntled Spurs star, Kawhi Leonard, to Toronto ended the most decorated partnership in Raptors’ history. DeRozan & Lowry didn’t like each other much when the latter initially joined the team in 2012. The talented pair were able to put aside their differences early, developed a strong friendship & connection on the floor, & eventually led the Raptors to its greatest five-year run in franchise history. 24. Steve Nash & Joe Johnson — Phoenix “Fun” Suns The fun to watch Phoenix Suns teams of the early 2000s were led by their head coach Mike D’Antoni & star guard Nash, as well as the versatility & athleticism of Amare’ Stoudamire & Shawn Marion. However, before the 2006 season that put this group on the map, Phoenix featured a high-powered backcourt pairing. Before his seven All-Star appearances, Johnson was a 20-year-old gunner running alongside Nash on a Suns team that won 62 games. A career three-point shooter, Johnson set a career-high in three-point percentage in his last year playing alongside Nash. In an effort to save a bit of cash, the Suns elected to let Johnson walk during the free agency period of 2006, effectively ending this dynamic duo’s run & the success “run of the Suns.” 23. Tim Hardaway & Mitch Richmond — Golden State Warriors or “Run TMC” Two-thirds of the highly-entertaining Golden State trio dubbed Run TMC, Hardaway & Richmond were a dynamite pairing for the Warriors throughout the 90s. Although it never amounted to much success, those Warriors teams played an appealing brand of basketball that served as a precursor to today’s pace-and-space game. Hardaway’s killer crossover move coupled with Richmond’s prolific outside shooting made for a lot of raucous crowds in Oracle. 22. Sidney Moncrief & Paul Pressey — Milwaukee Bucks ( Talented and Overlooked) It could be stretching it here since Moncrief could technically be labeled as a forward. However, the 6-foot-3 Moncrief has the correct height of a modern guard, and was one of the first players to ever operate as a point-forward in the NBA. Regardless of what position either player is listed at, Moncrief & Pressey were an electric duo that carried the Bucks franchise after the departure of Lew Alcindor. Arguably the best defensive backcourt of all-time (eight Defensive Team honors between the two), Moncrief & Pressey locked down opponents with gaudy length and freakish athleticism. 21. Guy Rodgers & Paul Arizin — Philadelphia Warriors ( The Forgotten NBA Past) With these two NBA Hall of Famers, it would be impossible to make this list without giving credit to these two stars of the ’50s. Arizin is the more well-known name, as he was a consistent 20-plus point scorer, & made the All-Star team ten times. The offensively-gifted Arizin ended up retiring after the 1962 season not because he couldn’t play anymore, but because he didn’t want to move with the Warriors to San Francisco. Rodgers was a steady hand that made four All-Star teams of his own. Rodgers led the league in assists on two seasons and is currently 18th all-time in career assists. 20. Jason Kidd & Vince Carter — New Jersey Nets ( One of these guys is still playing, the other coaching) Shortly after coming up empty in back-to-back NBA Finals appearances, the Nets knew they had to make a big move in an attempt to get over the hump. They did just that bringing in Half-Man/Half-Amazing at the height of his powers. While short-lived, the Kidd & Carter duo was like something out of a video game. The Nets had essentially paired the best passer & the best dunker together, & let them run loose & wild. Both players excelled in transition, but were skilled enough to run effective half-court sets as well. If they had been paired up a few years earlier, the Nets would have completely dominated the Eastern Conference for the better part of a decade. 19. Rajon Rondo & Ray Allen — Boston Celtics ( “Not friends but great teammates” The championship ring that Rondo & Allen won together in Boston signifies that you don’t have to like each other to be a productive duo. Since the core that helped Boston capture its first title in two decades broke up, these multiple time All-Stars haven’t exactly given one another a ringing endorsement. Still, they were a perfect pairing on the floor. Rondo’s defensive ability & quarterbacking mindset fit in well with Allen’s deadeye shooting and off-the-ball wizardry. 18. Terry Porter & Clyde Drexler — Portland Trail Blazers “ MJ was in the Way” There’s only one Portland backcourt that makes this list, and it’s the one that led the franchise to its last NBA Finals appearance. Porter & Drexler formed one of the premier duos in all of NBA basketball throughout the early ’90s. A quintessential floor general, Porter did a fine job balancing between playmaking and scoring. Drexler was a perennial All-Star that averaged at least 17 points per game for 14 straight seasons. Had Michael Jordan never touched a basketball, we’d be talking about Drexler as the top shooting guard from that era. 17. Reggie Miller & Mark Jackson — Indiana Pacers “The Knick Killers” Jackson was an immediate fit alongside Miller in Indiana’s backcourt when they joined forces in 1994. While he wasn’t quite the player he once was, Jackson did wonders for those Pacers teams in terms of leadership and unselfishness. He was the perfect personality to fit next to the fiery Miller. Four of the five All-Star appearances Miller made were during the seven-year span that he was teammates with Jackson. Indiana made three consecutive Eastern Conference Finals appearances with this tandem and even made it all the way to the NBA Finals in 2000. 16. Oscar Robertson & Lucius Allen — Milwaukee Bucks “The Vet & the Newbie” While the ‘Big O’ ( Oscar Roberson) wasn’t quite the player he once was by the time he joined the Milwaukee Bucks, the King of the Triple-Double instantly formed a dangerous backcourt combo alongside Allen. Just a 23-year-old at the time, Allen played a massive part in Milwaukee’s backcourt opposite Robertson during the Bucks run to the NBA Finals in 1971 along with Kareem Abdul Jabbar. Following the championship victory over the Baltimore Bullets, Allen developed into a potent scorer that fit perfectly with Robertson’s unselfish style. 15. Maurice Cheeks & Andrew Toney — Philadelphia 76ers “The Fastest Speedy Duo“ In-between a healthy serving of Celtics & Lakers championship teams, the 1983 Philadelphia 76ers sneaked in for a title win behind the sweet play of their two guards. Modern fans of the NBA will remember Cheeks for his work as a coach, but the Chicago native was a fine player in his day. A speed demon with inhumanly quick hands, Cheeks had a 10-year run of averaging at least 2.0 steals per game. Toney is considered one of the most overlooked players of his generation. He could light up a scoreboard from anywhere on the floor & would have been a far bigger name had his career not been cut short due to injury. 14. Chris Paul (not Russel Westbrook) & James Harden — Houston Rockets “We Came Close but no Cigar/Title” There was plenty of skepticism over how Paul would fit within the confines of Houston’s offense when the longtime Clipper was sent to the Rockets prior to the 2018 season. Houston emphatically quieted any concerns over Harden & Paul sharing a backcourt after winning the first 15 games in which both players suited up. By season’s end, the Rockets featured a trio (Harden, Paul & center Clint Capela) that won 50 of 55 games together. The biggest takeaway from Houston’s success is that it never hurts to have an abundance of unselfish, gifted playmakers littered throughout your roster. Defending Harden & Paul is difficult enough, but once they start getting their teammates involved the Rockets become nearly unstoppable on the offensive end. After failing to advance to the NBA Finals, the Rockets sent CP3 to the Thunder for Russell Westbrook. The jury is still out if this duo of Harden and Westbrook will do the same in getting the team to the Western Conference finals & NBA Finals. The two can’t be rated until they achieve something significant this season. 13. John Stockton & Jeff Hornacek — Utah Jazz “The Maid of Honor for NBA titles” Continued excellence can be had without the validation of a championship ring. The Jazz teams of the ’90s were truly great but failed to reach basketball immortality due to playing in the league at the same time as Michael Jordan & others. While the Stockton-to-Malone combo was the headliner in Utah for a majority of those years, Stockton got some much-needed help in the backcourt when Hornacek joined the team in 1994. Two of the very best shooters in the league, Stockton & Hornacek spread the floor providing ample space for Malone to operate near the basket. 12. Chauncey Billups & Richard Hamilton — Detroit “Bad Boys 2” Pistons Having both played for different franchises before joining forces in Detroit, both Billups & Hamilton learned invaluable lessons as a result of being the go-to player on their former teams. A former top pick, Billups had bounced around before settling in Detroit. The Colorado native rightfully earned the nickname ‘Mr. Big Shot’ for his ability to come up big in crucial moments. Hamilton is one of the all-time great players at moving without the ball, & was essentially automatic from anywhere inside the three-point line. Billups & Hamilton made up the backcourt that helped guide Detroit to five consecutive Conference Finals appearances, including an NBA Finals victory over the heavily favored Los Angeles Lakers in 2004. This was totally unexpected against a much stronger/talented Laker team. 11. Kobe Bryant & Derek Fisher — Los Angeles Lakers “ The 3rd edition of Showtime” Bryant & Fisher were a match made in heaven for the Lakers. The enigmatic Bryant was one of the greatest individual talents the game has ever seen, but his prickly personality made it tough to find the right teammates to surround him with. A traditional point guard was never going to be the right fit with the ball-dominant Bryant, making the spot-up shooter Fisher a perfect fit. The duo won five NBA Championships together & made seven appearances in the Finals altogether. While Bryant is regarded for his clutch shot-making, oftentimes Fisher ended up being the player that took & made crucial baskets as defenses forced the ball out of Kobe’s hands. 10. Jo Jo White & John Havlicek — Boston Celtics, “,The J & J Duo” The second Celtics’ pair to make the list, White & Havlicek often go under the radar in terms of all-time Boston combos. Havlicek’s one of the most underrated players in NBA history. An 11-time All-NBA guard, & eight-time All-Defensive recipient, Havlicek was a major catalyst on eight Boston Celtic championship teams. White was taken in the 1969 NBA Draft in an effort to ease the playmaking burden that was placed on Havlicek in the post-Cousy/Jones years. The Kansas Jayhawk made an immediate impact, gracing the All-Star team in seven of his first eight seasons. The duo was painfully tough to guard & added two more banners to Boston’s rafters. 9. Walt Frazier and Earl Monroe — “The Glide & the Pearl” of the New York Knicks The very best backcourt to don a Knicks uniform, Frazier and Monroe were transcendent talents that played a part in changing the game forever. Frazier is the most decorated Knick of all-time. Over an illustrious 10-year career in New York, Frazier collected seven All-Star nods, six All-NBA awards, seven All-Defensive teams, & won two championships. One of those title victories was alongside Monroe, one of the games all-time great showman’s. Monroe’s flashy style endeared him to fans, mesmerizing audiences & opponent’s alike with an explosive handle & innate scoring accuracy 8. KC Jones & Sam Jones — Boston Celtics “Unrelated Jones” While they were unrelated with the same last name, KC & Sam operated with a level of chemistry that would lead one to believe they had been separated at birth. When discussing these two behemoths in Celtics lore, one number is of utmost importance — 8, representing the number of championships won between the two players. From 1959-66, the Celtics won eight straight championships while featuring the Jones-led backcourt. Sam was the team’s leading scorer, & often the player-coach Red Auerbach leaned on to close out games. KC was a Doberman defensively, bothering opposing guards & expertly funneling would-be drivers towards Boston’s stalwart, Bill Russell. 7. Tony Parker and Manu Ginobili — San Antonio Spurs “The Foreign Duo” These two international guards played the game with a unique flair. At just 6-feet tall, Parker was normally atop the league in points scored in the paint. He eventually developed a deadly mid-range shot to go along with his patented floater. There were times (the 2007 NBA Finals) where Parker was legitimately the best player on the floor for the Spurs. The Argentinian lefty Ginobili has had success in both the NBA & at the international level. Not only is he a four-time NBA Champion, but Ginobili also helped lead his native country to its only gold medal in basketball during the 2002 Summer Olympics. While Tim Duncan & Gregg Popovich were the driving forces in creating the Spurs dynasty, there’s no denying the impact Parker & Ginobili had on San Antonio’s run. 6. Michael Jordan & Ron Harper — Chicago Bulls, “The 6 timers” It’s no surprise that Kobe’s point guard situation was similar to that of Michael’s. After all, the former patterned his game completely after the latter’s. Given Jordan’s overall greatness, employing a traditional point guard that needs the ball to produce doesn’t make for an optimal lineup. A majority of Jordan’s most memorable backcourt counterparts — Steve Kerr, John Paxson, and BJ Armstrong — were primarily spot-up shooters that could do damage without the ball. Harper was a bit different than anybody Jordan had played with at the time. Before he went to Chicago, Harper was a 20-point-per-game slasher and a go-to scorer for the Cleveland Cavaliers. Once he joined up with Jordan, Harper evolved into a lockdown defender that ended up being a major catalyst on the 73-win Bulls team. With Jordan & Harper in the backcourt, opposing guards stood no chance to score with any efficiency. 5. Jerry West & Gail Goodrich — Los Angeles Lakers “The Original Showtime” & “Splash Brothers” Meet the original ‘Splash Brothers’. Throughout the ’60s and ’70s, the Lakers employed a pair of rainmakers that helped form an offensive juggernaut. West, one of the 50 greatest players in NBA history, is a 14-time NBA All-Star & one of the best pure scorers to ever play. His lightning-quick release & deep range made him virtually unstoppable in one-on-one situations. Goodrich was no slouch, either. The UCLA great was a double-digit scorer every year after his rookie season & was excellent as both a facilitator & foul shooter. The duo finally got over the hump in 1972, beating out the New York Knicks in the NBA Finals with both players averaging 25 points per game over the course of the season. 4. Bob Cousy and Bill Sharman — Boston Celtics “Dynasty 1” Needless to say, the Celtics have had quite a few gifted guards come through their ranks. During his time, no player operated as a point guard at the same level as Cousy. The native New Yorker was a savant with the ball, even if his highlight tape doesn’t hold up to today’s standards. Sharman often gets lost in the shuffle of great Boston athletes, but he was a terrific player for a number of years. Between the two players are 21 All-Star nods, 14 All-NBA First Team honors, & ten NBA Championships. 3. Magic Johnson & Michael Cooper — Los Angeles Lakers “The Revived Showtime” 2nd Edition Byron Scott might be jaded by his exclusion from this list, but it was the Johnson/Cooper combo that was the true backbone in the Showtime Lakers’ backcourt. Considered the best point guard of all time, Johnson’s playmaking ability inherently boosted the production of his teammates. His passing & vision are second to none, & the Lakers couldn’t have asked for a better leader on & off the floor. Cooper was the defensive ace, able to match up against multiple positions. While he didn’t actually start many times (94 starts in 873 games), it was often Cooper that would close out games alongside Johnson. The duo collected five titles together. 2. Isiah Thomas & Joe Dumars — Detroit Pistons “The Original Bad Boys” There may have been better individually talented backcourts, but Thomas & Dumars get this spot because of what they mean to guards in general. Before the ‘Bad Boy’ Pistons ran roughshod through the league en route to two championships in ’89 and ’90, there was a stigma around great guard play. Championship-winning teams of the past had primarily shared one defining trait which was a dominant, low-post scorer. The Pistons never had that, & instead relied on the scoring & perimeter defense of their two tremendous guards. Thomas and Dumars shocked the world when they trounced the Lakers in the 1989 NBA Finals, cementing the idea that a dominating backcourt can lead a franchise to the promised land. 1. Stephen Curry & Klay Thompson — Golden State Warriors “The modern-day Splash Brothers” Curry & Thompson mesh as well as two players can. Two of the deadliest shooters of all-time, the Warriors’ potent combo mask each other’s deficiencies while boosting their own unique strengths. Curry’s ability to create an offense boosts both player’s ability to find open looks. Thompson’s versatility on the defensive end allows his teammate to get much-needed rest on that end of the floor. Having already won three rings together, there’s no telling how expansive Curry’s & Thompsons’ household trophy cases will look like by the time their respective careers are over. This NBA season's injury-plagued, changed roster/ team is an anomaly of their most recent teams. Both players are expected to return healthy to continue their NBA success.

What’s the creepiest thing that has ever happened to you or creepiest thing you’ve ever seen?

When I was younger, I was always jealous of other people’s scary stories. My father’s childhood home was haunted and he and his siblings shared stories with me about the ghosts they had seen and communicated with when they were young. I had a friend who could not spend the night at other people’s homes, once they realized they were the only ones who could see some of the strange people wandering around in their friends homes. My aunt was followed home by strange lights once, and my mom has a story about the time her brother came home early from a camping trip in the middle of the night, barricaded himself in his room terrified of something he had seen in the woods. Despite the fear people expressed, I was jealous. Strange lights, apparitions, creatures lurking in the woods; all these stories implied that there was an entire world of unknowns that nobody had discovered. And the only way to know if the stories were true or not was to experience them for myself. And I actually worried that I never would. And so my interest in the unexplained began. I longed to have a supernatural experience. The idea scared me, but I wanted to have a real scary story to tell. Most importantly, I wanted to have a scary story that I knew was true. I was a Junior in high school when the Blair Witch Project came out, claiming to be actual footage of a paranormal event. It wasn’t. But I was still attracted to the idea. Growing up in a very rural location in a very religious family, I never actually had an opportunity to see the movie, and after the experience I am sharing with you here, I never had to courage to. I did however become somewhat intrigued by the symbol of the franchise. My religious upbringing along with my interest in the paranormal has cultivated in me a sort of fascination with fictional occult symbols. Excuse me for not sharing the symbol from the movie here. It would have involved downloading it to my computer, and frankly, I just don’t feel comfortable with that. If you need to see it, or want a reminder, Google Twanas. I’m realizing now, as I was looking up an image to share in this answer that this is the first time I have actually sought it out since this night almost two decades ago. I had a soft plastic (maybe vinyl?) black binder. I created the symbol using tape, and then using a red acrylic paint outlined the tape and then did my best to fade the color into the black background of the binder. Once I removed the tape, the symbol was black with a red, almost glowing outline. However, looking at the Twanas now, I’m not sure that it is what I created that night. We didn’t have the internet in our home at the time (we had just barely gotten phones in my rural home), so the symbol I painted was created from memory. Perhaps I had inadvertently created some other symbol. Regardless, I knew I had created a symbol, I knew that whether real or not, my intentions were to draw a symbol that either literally or through my own intentions represented witchcraft. My mother was near fanatical in her religious devotion, and I knew that painting a symbol that was based on a movie about witchcraft would likely result in me losing a lot of sleep that night. My mom’s preferred method of discipline was at least three hours of lecturing coupled with a periodic jab to my ribs and pulling my hair at the temples. When the paint was dry on my creation I covered it with a magazine to hide it from any eyes that my walk past my room. It was a paintball gun magazine, one of my interests at the time. I went to bed later after the rest of my family, like I always did. My brain always took an extra hour or so before it would shut off, and so I would lie in bed and thing through my day and plan out the next. I don’t know how long I was lying down before I heard the smallest sound outside my slightly open window. It was almost a footstep, but not quite. It wasn’t the sound of a foot or a shoe hitting the asphalt outside. Rather it was the sound of a pebble on the asphalt being shifted under someone’s weight, causing the pebble to scrape. I grew up in the middle of the Rocky Mountains. My dad worked for the Department of Transportation, and he was the only member of his patrol that would live on the state highway camp in the middle of the mountain pass he was in charge of. The camp was a 150 by 70 meter paved asphalt slab. One half of the yard had garages and shops for all the large trucks. the other half had trailer pads just large enough for a single wide. Most years — like this one — we lived there alone. My closest neighbors up or down the pass were three miles away. The closest town — where I went to school — was a half an hour drive away. This whole paved yard was surrounded by pines and aspens for miles around us. It was not uncommon for wild animals to come roaming near the yard, but it was rare for them to get close to the house. I assumed I was about to get my closest look yet at one of the animals that visited around our home. I rolled out of bed, and looked out the window which was just to the right of my headboard. On the other side of the house in the truck yard sodium lights lit the highway camp. None of the lights shone through my window, but they illuminated the asphalt and the woods some 40 meters away from my house with an orange glow. Nothing was out there. In fact, I was sure nothing had ever been out there. Animals make a lot more noise when they are running away than when they are sneaking. If something had made the footstep and ran away, I would have heard it. Sure I had heard something, but having lived in the mountains long enough to know that it’s impossible to find the source of every stray sound you hear, I climbed back in bed. Then I heard the footstep again. This time closer. Right outside my window. Again the sound did not so much sound like an actual footstep. More like the results of someone trying to take a step. A careful one. Sometimes my sisters and I would scare each other during the day. One of us might sneak outside and lurk by an open window. Then when we would hear someone walk by, we would jump up and press ourselves against the glass. The sound I heard sounded very much like a carefully placed step. One where the foot had gone down silently, but there was no avoiding the sound of a bit of gravel or sand being displaced underneath. This time, I pressed my face up against the glass, looking down and to the left and the right. Looking to see if something was pressing itself against the wall. I didn’t dare open the window enough stick my head out. We had a neighbor once that had opened his window to get a closer look at a bear. The bear stood up on its hind legs and they nearly touched noses before the neighbor scampered back into his trailer. I was not going to risk letting a bear into my room. Again I settle back into my bed. Convinced that there was no threat outside, and that someday I would investigate the area outside my window and see if I could determine what could be causing the sound. The “steps” continued. Infrequent. Subtle. I they moved slowly past my window. I could hear them past the living room which would have been on the other side of my bedroom wall. Past the kitchen beyond that, towards our back door. Then I heard a completely different kind of sound. The creak of a floorboard. Because the grocery store was so far away — it was an hour drive that we made only once a month — there were some pretty strict rules about when food was to be eaten in our house and how much we could have at a time. I wasn’t very good at following them, and frequently in the early hours before my parents would wake up I would sneak into the kitchen to grab an extra handful of cereal before every body else was awake. I did this so frequently that I had reached a point where I knew where all the places in the floor of our house creaked. In the kitchen, where we had square laminate, I knew exactly what squares to step on to avoid making a sound. So I recognized this creak. It sounded like someone was in the back porch. Well, we called it the back porch. Really it was just a laundry room off the kitchen next to the back door. I knew the back door was locked. I had heard my mom lock it like she did religiously every night. And the trailer house was so flimsy there was no way it could have been opened without hearing it, much less feeling it the action through the entire house. The sound reminded me of a footstep, just like the ones I was hearing outside. I didn’t hear the actual foot fall, just the result of weight being put on the foot. Like someone was trying to sneak. I had just convinced myself that the creak was my imagination, when I heard another creak. Closer. This sound came from our kitchen. Right where it connected to the back porch. The creaks continued. The pacing was patiently slow, similar to the footsteps I had thought I heard outside. However, I realized I was no longer hearing the footsteps outside. In my rational mind, I convinced myself I was just hearing things. The footsteps were far to infrequent to be anybody hoping to get anywhere in any reasonable amount of time, stealthily or not. And the sounds were all so subtle, perhaps I had heard something outside the first time, and had then become hyper aware of sounds that were common in my house that I had never noticed before. I was sure I was just freaking myself out. So instead of investigating —which would have made the sounds all too real — I just lied perfectly still, facing the wall next to me. I was like a little kid. Petrified in my bed. As long as I didn’t acknowledge it was there, it couldn’t scare me. I tried to ignore each creak. Each time I heard one, my brain would register a footstep, like someone walking through the house. And I would lie there, ears straining against the silence waiting for the next. Seconds would pass, perhaps minutes, and I would not hear another sound. And just when I was sure I had been imagining the sound I would hear another one. Was that one closer than the last? The last creak was in my hallway connecting my room to the living room. And then it was silent for a long, long moment. Longer than any of the previous pauses. My heartbeat began to slow down. I began to relax, chiding myself sleepily for getting scared over what was most likely a small animal outside and our cheap trailer house beginning to creak in the night. I was nearly unconscious when I thought I heard a whole new sound. Like all the others, it was so very subtle that I wasn’t sure I had actually heard it. It was like the crumple of paper. Not a noisy crackle like when you wad a ball of paper up. But a single pop, or a snap, like when a page you are turning in a book is bent between your fingers. Or maybe like the sound of a magazine, carefully being lifted from the top of a desk. I lied their straining to hear in the darkness. Had I really heard something? Was someone in my room? My room was so small, I could have leaned out of my bed and touched my desk where my magazine had been covering my folder with the strange symbol on it. Had my mother sensed that I was doing something she would disapprove of and come to investigate? I couldn’t sense the signs that anyone was in my room. There was no change to the way the light from my window dissipated on the my wall. I couldn’t hear breathing. There was nothing but silence. For a long moment, it was quiet. Again, like a child, I felt it better just to lie still and pretend I heard nothing than turn and look. “FWAP!” I could not dismiss the sound I heard as imagination. Crystal clear, I could hear the smack of my paintball magazine hitting a flat surface. The pages fluttering slightly after their fall. Immediately my brain grasped for the only logical thing that could be happening. My mother was in my room, she had thrown down the magazine intentionally to wake me up and grab my attention. She would be switching on the light next. And she would be standing over me, face red, mouth thin lipped, blue pupils surrounded by the whites of her bulging eyes. I braced myself for a lecture. My sisters would be woken up in the next room but would pretend to be asleep, my dad would come walking in sleepily in about half an hour, asking what was going on… But nobody was there. The room was dark, empty, and silent. I flung off the covers and ran to turn on my light. I thought I would find the magazine on my floor, perhaps blown off the desk by a breeze I had not heard or felt, but it appeared to be exactly as I had left it. Nobody was in my room, and I had responded to the sound fast enough that nobody could have gotten out. I immediately picked up the magazine and saw the symbol underneath. Whether the symbol meant anything or not; whether I had imagined the sounds I had heard or not; whether it was my mom sneaking into my room and somehow silently retreating before I would find her or something else, this symbol I knew was the cause of it. The folder cover was double sided, intending to hold a piece of cardboard that had long since fallen out. I used a razor blade to cut the symbol off the outer cover before slicing it into the smallest unidentifiable pieces I could before throwing them all away in the trash. I hoped it would be enough. I couldn’t sleep after that for at least another couple hours. I just lied in bed listening for strange sounds. I heard nothing. In fact, I never heard unexplained footsteps inside or outside my house ever again. The last thing I did before climbing back in bed was knelt and said a prayer. I prayed that I would never know for myself whether other people’s stories of ghosts and lights and creatures were true. I did not even want to know if the experience I had just had was real. It was no longer worth experiencing the fear to find out.

What were the causes of parachutes not opening when air crews bailed out of WW2 bombers?

Excellent answers by Dave Tarrant, Kevin Oliver and Paolo Barchetta. The three of them covered just about everything but there’s still one point missing according to my father, who actually DID have to bail out of his bomber that was shot down at the beginning of 1944. As well as the difficulty of putting on the chutes, getting out of your turret (if that was your position on board), moving around in the wildly corkscrewing aircraft, getting out the (sometimes damaged) hatches, putting on (sometimes) damaged chutes, pulling the release and fighting the extreme cold (I still have Dad’s sheepskin flight jacket as pictured by Paolo-it was so cold that your movements became sluggish), the next problem that the Commonwealth aircrew had to overcome was that they were inside a blackout aircraft in the middle of the night. They could barely see their hand in front of their face so often had to do all this by touch and memory of where things were supposed to be (if the bomber wasn’t damaged). They might have had as little as 3 or 4 minutes before the plane was too low to get out even if they could do all this. There might even be shrapnel from FlaK still peppering the plane while you’re doing all this. And for the pilot, he had to hold the plane as straight and level as he could until the rest of the crew were all out before he could even start to make his escape. Dad did all that, then had to prepare for impact in the trees of the Black Forest before he hit the ground. Below is the story of two bomber crewman trying to get out of a burning Avro Lancaster P/O Andrew Mynarski “Andrew Charles "Andy" Mynarski VC was born at Winnipeg, Manitoba in 1916. After serving briefly with the Royal Winnipeg Rifles, he joined the Royal Canadian Air Force in 1941. In 1944 he was assigned to No. 419 Squadron RCAF that was based at Middleton-St. George where he completed twelve operational flights as a mid-upper gunner and was promoted to Pilot Officer on June 11. The following night he was sent off on his thirteenth operation in a Lancaster Bomber (KB726). The target was the railway marshalling yards at Cambrai, France. After being coned and successfully evading the searchlights, the aircraft was attacked by a JU-88 nightfighter. The two port engines were knocked out and the aircraft set on fire. Pilot Art de Breyne (a lifetime member of the Nanton Lancaster Society) ordered his crew to abandon the aircraft. After allowing time for the crew to escape, De Breyne parachuted from an altitude of about 800 feet. Unknown to Art, the rear gunner, Pat Brophy, was trapped in his turret. What then occurred in the rear fuselage is best told in the rear gunner's own words: Related Articles Mynarski Lancaster Visits Nanton, ,Norm Etheridge, ,Ron Jenkins, ,Cpl. Pat Brophy Portrait of P/O Andrew Mynarski VC [ by Paul Goranson ] "Then I saw him (Mynarski). Andy had slid down from the mid-upper turret and made his way back to the rear escape hatch, about fifteen feet from me. . . He opened the door and was about to jump when he glanced around and spotted me through the plexiglass part of my turret. One look told him I was trapped. "Instantly, he turned away from the hatch -his doorway to safety -and started towards me. All this time the aircraft was lurching drunkenly as Art tried to keep it on an even keel without instruments. Andy had to climb over the Elsan chemical toilet and crawl over the tailplane spar, as there is no room in that part of the fuselage. These cramped conditions forced him to crawl on his hands and knees -straight through the blazing hydraulic oil. By the time he reached my position in the tail, his uniform and parachute were on fire. I shook my head; it was hopeless. 'Don't try, I shouted, and waved him away.' "Andy didn't seem to notice. Completely ignoring his own condition in the flames, he grabbed a fire axe and tried to smash the turret free. It gave slightly, but not enough. Wild with desperation and pain, he tore at the doors with his bare hands -to no avail. By now he was a mass of flames below his waist. Seeing him like that, I forgot everything else. Over the roar of the wind and the whine of our two remaining engines, I screamed, 'Go back, Andy! Get out!' "Finally, with time running out, he realized that he could do nothing to help me. When I waved him away again, he hung his head and nodded, as though he was ashamed to leave -ashamed that sheer heart and courage hadn't been enough. As there was no way to turn around in the confined quarters, Andy had to crawl backwards through the flaming hydraulic fluid fire again, never taking his eyes off me. On his face was a look of mute anguish. "When Andy reached the escape hatch, he stood up. Slowly, as he'd often done before in happier times together, he came to attention. Standing there in his flaming clothes, a grimly magnificent figure, he saluted me! At the same time, just before he jumped, he said something. And even though I couldn't hear, I knew it was 'Good night, Sir.'" Left alone in the rear turret, somehow Pat Brophy survived when the Lancaster crashed. Mynarski's descent was seen by the French people on the ground. Both his parachute and clothes were on fire. He was located but was so severely burned that he died of his injuries. The remainder of the crew survived, four successfully evading capture and two others becoming Prisoners of War. At war's end the story of Andy Mynarski was told and a posthumous Victoria Cross awarded. Later, Pat Brophy said, "I'll always believe that a divine providence intervened to save me because of what I had seen, so that the world might know of a gallant man who laid down his life for a friend." The "Andrew Mynarsk Memorial Lancaster" was restored to flying condition by the Canadian Warplane Heritage Museum in Hamilton, Ontario. The Nanton Lancaster Society is pleased to have assisted by supplying aircraft parts for the restoration. [ courtesy "Mynarski's Lanc" by Bette Page ] Statue of Andrew Mynarski VC at Middleton-St. George. [ photo courtesy Tony Bunker ]” Brophy was still in his turret when the Lancaster hit the ground. The turret was broken off and thrown clear so it protected him from the impact, the flames and any explosion. There are only two Lancasters in the world still flyable. The one at Mt Hope (Hamilton) Airport has been renamed ‘the Mynarski Lanc’ and painted to look like the one Mynarski was in when he won his Victoria Cross (the highest medal in the British Commonwealth). I’ve seen it fly dozens of times. I always have to wipe my eyes.

What are some of the cons to having an interior design color scheme of whites and greys?

Long answer- Well, there isn't much there to draw the eye. I agree with whoever mentioned adding texture to the white, gray color scheme. One could also add black, or navy as it goes well with both colors, think stripes, patterns, or be bold and add a completely contrasting color such as red. I'm a bit of a decorating diva and would certainly enjoy starting off with let's say charcoal gray walls, flat paint, then adding photos (of my own) to add a personal touch or a large mural to the said wall that would pick up the room. without something to break up the color, the room would lack coziness and would be much like a cardboard box. Now, let's take a completely white room and add a red accent wall, where does your eye go? It creates a mood, doesn't it. The "feel" is completely different. Even a monochromatic room, needs a touch of chrome, glass, or something fluffy on the floors to give it interest. Short answer- The room lacks a warm feel and requires something to give it personality. (All photos via Pinterest)

Is it legal to touch up your license plate if the paint starts peeling?

Nope. “Touching up” your license plate is also known as “defacing” it. Painting it with non-reflective paint is going to make is less visible in any event. If you could match the color and reflectiveness exactly the same as the original paint, it’s possible no one would notice and no one would care. But the optimum thing to do when your plates begin to become hard to see or to read, is to get new ones. The state will provide them for cheap or for free.

What is an example of an actor who became engulfed in character so much that it became a detriment to themselves in real life?

We sometimes forget that actors put themselves on the line to produce the movies that we love. Sometimes actors become so wrapped up in their roles that they lose touch with reality, or start to think that they’re really that ,invincible ,action star. These accidents, whether they be one-offs or the result of prolonged ‘character exploration’ can have ,very real consequences,. Some of these are well-documented in movie lore. Like the time George Clooney, in an attempt to do his own stunts, ,fractured his skull and started leaking spinal fluid from his nose, on the set of ,Syriana, (2005). Or, Shelley Duvall, and Jack Nicholson, and pretty much ,everyone, on the set of ,The Shining ,(1980) who went through hell with Stanley Kubrick, doing up to 127 takes of one scene. Or even just the downright weird - like Hollywood nut Nicholas Cage covering himself in corpse paint and Egyptian symbols for ,Ghost Rider: Spirit Of Vengeance, (2011) only to be replaced with CGI. But let’s look at ,some of the craziest times when an actor ,chose, to get so involved in their role that it became a detriment to their ‘real life’. 4. ,Ashton Kutcher ,in ,Jobs, (2013) It’s no secret that Steve Jobs was a fruitarian (a subset of veganism including only fruit, seeds, and nuts - if you’re lucky!). In order to ‘get into role’ Kutcher likewise followed this diet. Slight catch - fruit is full of sugar but pretty light on things like protein, fat, calcium, and iron - i.e. good things to stay alive. Kutcher was ,rushed to the ER, just 2 days before filming for vitamin deficiencies and decreased bone density. All for a mediocre movie that would be surpassed by ,Steve Jobs, (2015) with Michael Fassbender in the titular role. 3. Sylvester Stallone ,in ,Rocky IV ,(1985) This one doesn’t need too much explaining: ‘,For the first 45 seconds, really try to knock me out!’ Sly (less than 45 seconds before Dolph Lundgreen hit him so hard he ended up in ICU for 5 days!) Lundgreen - a 4th ,dan, black belt and Grace Jones’ former bodyguard ,hit Stallone so hard that his heart swelled up. 2. Gary Oldman, in ,Darkest Hour ,(2017) It’s no wonder that in almost every scene (and picture from history) Oldman-as-Churchill is seen holding a cigar. Oldman racked up about $20,000 in props costs and got through around ,12 cigars a day. ,For his troubles, he did ,win an Oscar,, and got nicotine poisoning! The kicker was that he could have used fake cigars - he simply chose not to so as to get into character! Christian Bale, in ,The Machinist ,(2004) If that picture doesn’t adequately answer your question, let me try. Bale has even said in interviews that he has a ‘perverse’ tendency to go beyond the limits of what should be possible, past the point of being told to stop. With his cigarettes and whiskey diet (supplemented only by 1 apple and 1 tin of tuna a day) he dropped down to 54kg to play Trevor Reznik. He wanted to drop down further to 45kg! Bale himself said he had to stop with all the transformations, from bulking up for ,Batman Begins, (2005) to gaining 30kg to play Dick Cheney for ,Vice, (2018) as he got to a point where ,his own mortality was staring him in the face,. A final special mention would have to go to Margaret Hamilton - the wicked witch of the West in ,The Wizard of Oz, (1939) whose green makeup was not only potentially toxic but so heavy that she had to eat out of a straw, but who also sustained first-degree burn to her face and hands on set from…a rogue flamethrower! But that movie also had execs pumping Judy Garland full of pills, coffee, and cigarettes to control her weight., So perhaps that whole film deserves to be on this list. And was it really either of ,the actor’s, commitment to their role? Hm. As long as nobody dies and they’re the ones who make the decisions, who are we to say if actors ,go too far, to create the movies that we love? ,But is it always worth it?

Some people argue that in a real fight under pressure one usually forgets most of the techniques or moves. How true is that?

Partly true, partly false… mostly true. Learning how to fight involves many parts of the brain, but BEING ABLE to fight involves two in particular. The Frontal Cortex is a civilized, thinking and reasoning area of the brain. ,This area is activated in class, when Sensei is telling you “Do this, then do this, then do that.” It’s also activated when you study history, or geography, or science. The F.C. enables us to learn and perform complex behaviors. We can write poetry, design space shuttles, solve difficult puzzles, and write beautiful essays. The F.C. also helps coordinate fine motor skills, complex movements of the hands and fingers, sculpting, painting, sewing. But the Frontal Cortex in a “no drama” organ part. It doesn’t like drama while it’s learning, and it doesn’t respond well under adrenal stress. The Amygdala is sometimes called the “frog brain” or the “lizard brain.” I call it the “Tough Guy Brain.” ,The Amygdala is an ancient, primitive area of the brain, and it controls behavior in the face of fear or other sensed danger. It is “triggered” by adrenaline, and once triggered it pulls rank on the mild-mannered F.C. and takes control of thoughts and actions. The Amygdala is action oriented, mostly, ,non-verbal, and when triggered by adrenaline it responds with the ”Fight, Flight, or Freeze” reaction. “Fight,” when it has a plan and anticipates success. “Flight,” when it has no plan or anticipates loss. “Freeze,” when it has no earthly idea of what to do. The Amygdala likes gross motor skills like shoving, clubbing with bottom-fists, grabbing in bear-hugs. It mostly fails in activities requiring fine motor skills, verbal communication, and complex reasoning. Here’s the problem. ,The Frontal Cortex and Amygdala don’t like each other, and have never been seen in the same room at the same time. They must be trained separately. What you learn in an orderly fashion in the dojo (F.C. style) is information not available to the Amygdala under stress. In order for your “Tough Guy Brain” to succeed under stress, you must train it under stressful conditions when the F.C. is out of the room, and the Amygdala is present and learning. In a previous answer, Wayne Sherman asks “Really? Do boxers forget how to punch?” The answer is “Yes,” until they have sufficient experience fighting under stress. ,The more you train under the adrenaline rush, the better you train the Amygdala, the better you will fight. The best training I have found for conditioning a new student’s Amygdala is Bill Kipp’s F.A.S.T. Defense System. In it two trainers work with one student. One trainer is the “Woofer,” an armored attacker who uses very aggressive verbal and body language (and sometimes weapons) to ratchet up the student’s adrenaline in a simulated attack. When the adrenaline rush occurs, the Frontal Cortex function is replaced by that of the Amygdala, the student is beset by tunnel vision, selective hearing, lack of fine motor skills, confusion, and impaired judgement, often freezing. At that point, the second trainer, in the role of Coach stays very close, close enough to touch, coaching him/her through the scenario and training the Amygdala. The Coach barks orders, correcting student defensive posture, verbal interaction with the attacker, and gross motor movements (palm strikes, knee kicks, etc.) until the scenario plays out and the attacker is defeated/driven off. “Stay on guard! Keep your hands up! Back him off! Palm! Palm! Knee! Knee! Look around! Run to safety!” By coaching a student who is under stress, the Coach communicates directly with the Amygdala, teaching that part of the brain which will play a dominant role in a serious fight. The Amygdala learns quickly, and the student quickly builds capability under extreme stress. Fighting is extremely stressful to both body and mind. Training the body is only 40% of the solution. Stress Control, the remaining 60%, is essential if you are to be able to effectively defend against an attacker.

Could you help me understand Jesus's death? Did he suffer our punishment for us, or was his death the cost of buying us from hell?

What an excellent question! The binary possibilities you have outlined are battling soteriologies, explanations of what salvation is. They are not the only possibilities, and the second of these two options you have listed is an older variant of a different soteriology that now dominates in the Eastern church as well as in certain denominations of the Western church. The first one, ,suffer our punishment for us,, is called penal substitutionairy atonement. It's really big in the Reformed tradition. Most American evangelical Christians subscribe to this soteriology, and if you've ever been handed a tract that walks you down the Romans Road of conversion, Billy Graham style, this is what you are being taught. When you start to examine it instead of assuming it to be true, you will notice that it makes some bold claims: That death is punishment, something inflicted on us to deter us from or to make us suffer for our actions That if death is a punishment, then it must be something deliberately and methodically inflicted upon us by an authority—in this case, God That this is a model that views sin as debt that must be paid off That there is not actually any forgiveness of sins in this model, but instead, God takes payment in full—payment that is being offered up by a second party, i.e., Jesus The other extremely popular soteriological model—the other story that Christians often use as a metaphor to try to understand what this whole crucifixion thing means and how it functions in a metaphysical sense—is called Christus victor. It teaches that Christ is the hero who overpowers death and rescues humanity. Ransom theory, the ,cost of buying us from hell, one, has a lot in common with Christus victor, and is a very early theory that has mostly been discarded in favor of later soteriologies. I think the most valuable lesson we can learn from that is: the assumptions we make about eternal truths and universal laws may be comparatively new assumptions, which the early Christians never entertained. In ransom theory, we can see these distinctives: Humanity is caught up under the power of a malevolent force It's the malevolent force, not God, that is demanding blood God negotiates with the malevolent force by putting God's self, in the person of Christ, through a transaction to release the hostages You can see that, in contrast with the first model, we have an adversary who is demanding our suffering. It's not God. The first model prioritizes making God powerful, with no cosmic competition; the second, earlier model, prioritizes God's goodness, with no demand for our destruction. The second model also paints a dualistic world, in which good and evil are trying to get the upper hand. In the first model, all things, including the bad things, are from God. You can see where these distinctions matter. What you believe about the way salvation works is a reflection of and instructions for how you should feel about other human beings and the way you should treat them. If the ransom theory model is wrong, we are assuming that evil has power it doesn't actually have. If the penal substitutionary atonement theory is wrong, we are assuming that it's OK to treat humanity with a rougher touch than it actually is. Here's an outline of seven competing soteriologies: And here is a prominent New Testament theologian outlining the two most popular theories:


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